This is an adapted screen play from "Waiting for the Barbarians" by Cotzee

Waiting for the Barbarians: SCREENPLAY IN. GRANANRY -DAY TRACKING apoplexy- FRONTAL VIEW Magistrate and Joll are walk of life quickly down the hall. at that place are vocal noises in the background of doors shutting and mickle walking) MAGISTRATE What if your prisoner is copulation the truth, further finds he is non believed? Is that not a terrible power? Imagine: to be vigilant to yield, to yield, to render nothing to a greater extent(prenominal) to yield, (speech becomes sudden and passionate) to be broken, yet to be pressed to yield more! And what a righteousness for the interrogator! How do you ever hump when a piece of music has told you the truth? (gasp) Joll walks faster and Magistrate travel behind. COLONOL JOLL There is a current smell (verbal pause). A genuine tone enters the voice of a man who is telling the truth. cooking and experience train us to recognize that tone. (said with declaration and assurance) block UP- MAGISTRATE show aggravatio n MAGISTRATE The tone of truth! TRACKING catch - FRONTAL VIEW MAGISTRATE Can you pick up this tone in every day speech? Can you reckon whether I am telling the truth? (said as he catches up with Joll) Both men stop and face separately other. COLONEL JOLL No, you misunderstand me.

I am speaking only of a special situation now, I am speaking of a situation in which I am probing for the truth, in which I have to exert pressure to find it. commencement I trance lies, you see - this is what happens-first lies, thusly pressure, then more lies, then more pressure, then the break, then more pressure, then the tru th. This is how you get the truth. Magistra! te continues on by himself into the prison section of the Granary. IN. prison house - MID DAY SILENCE - echoes of disregard whispers LONG diagonal Magistrate pulls... If you want to get a full essay, order it on our website: OrderCustomPaper.com

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