Prospero

Prospero (the rightful Duke of Milan) is the protagonist of The Tempest, William Shakespe atomic number 18s final written lick. Finding himself bedraggled on an island with his daughter Miranda after cosmos dieed by his avouch chum salmon for military force, Prospero ends up having twelve years of built up anger and punish to dish step forward on those who have wronged him.From early on the readers envision how Prosperos use of magical powers from his spell books almost guarantee his authority on the island. In The Tempest, Shakespeare depicts Prospero as exchangeable a controlling puppet get the better of whose desire to manipulate everyone and everything around him is shown consistently, with the use of magic.Prosperos motivation is fueled by two main things. gibe to R.D Gooder, The offset is Prospero s ambition to follow his daughter to the right sort of soul the second is his desire to be punishd upon his enemies (4). From early on readers can front the protectiv e nature that Prospero has for Miranda. He shelters her from knowledge or so their past until the boat carrying his betrayers arrive. Prospero says to Miranda, The hours now come.Obey and be attentive, the very minute bids thee ope thine ear (Shakespeare 1.2.46-48). Prospero is finally about to tell Miranda how and wherefore they ended up on the island. This scene lets the readers sympathize with his selfishness, shows the justification of his reasonings for using his spirit Ariel to stir up The Tempest (storm), and why he brings his betrayers on land. Prosperos love for his daughter motivates him to make sure that she ends up with the right causa of person.This should portray him as being a caring father at this render but his motivation for revenge shows the sense of hearing his bluff. The play lento reveals that the true internal necessity for his opposition being feigned lies in his double nature (Snider 197). Miranda meeting and eventually marring Ferdinand, who is the prince of Naples, isnt by chance. Prospero uses his magic and hold water over Ariel to help them meet. This is just another little piece in Prosperos real agenda to get revenge and his eventually dukedom back.Prospero is a deal a two-faced person on the outside he seems like a dad wanting what is best for his daughter, but his real motives are what helps benefit him in the end. The relationships between Prospero and the people on the island seem incompatible but he uses magic to manipulate every single person in some way shape or form. At first the readers catch a glimpse of the relationship between him and his brother.Antonio takes advantage of Prospero being so into the studying of his magic and books, While Prosperos nose was buried in his extensive library, his snaky brother manages to steal his title and gets him thrown out of Italy (Shmoop Editorial Team). So, going forward from this, the audience can somewhat interrelate to why he acts the way he does. He uses Ariel as he pleases it is always either him or Prospero manipulating every moment of everyone on the island.No one on this island is truly free Prospero uses his magic to ensure that. Prospero excessively uses Ariel to spy on Caliban, who is described as a fish like man and a retainer to Prospero. Caliban encounters Trinculo and Stephano, who are a Lester and a boozy butler. Caliban begs them to let him be their servant, saying Ill show thee every racy inch o th island, and I will kiss thy foot. I prithee, be my idol (Shakespeare 2.2.154-155).Caliban eventually talks them into killing Prospero, all while Ariel is listening. Betrayal for power is a big theme in Shakespeares The Tempest. First with Alonso and his pupils and now his servant Caliban. The way he puts them all with hell associates with the justice and revenge themes as well as p surgeted throughout the play. Illusion vs reality is also a big theme carried out by Prospero throughout this play. The whole measure everyone is on the island, they are in an altered state of reality, tailored specifically to how he sees fit.The way this is used throughout the play forces both the component parts and readers to adore if something is real or the result of Prospero or Ariels doing. The audience can see it being used on his daughter Miranda, when he asks her to remember about her past and she says tis far off, and rather like a dream than an impudence that my remembrance warrants (Shakespeare 1.2.56-58).She is telling the audience that her memory of her life up to this point seems like a dream, with only Prosperos illusions using magic to blame. Prospero stands for Prospero is portrayed to be a certain stereotypical character, the forceful, controlling, protective one. This is seen time and time over again in the play. On the island Prospero and Miranda live among of his now servant Caliban, the son of a witch that was on the island before they arrive.Prospero takes the island from him, which is another way he shows the audience how controlling he is. At first, they live together nicely, and Miranda and Prospero even get a line Caliban how to speak their language. They way they treat Caliban abruptly stops when Prospero catches Caliban trying to go bad his daughter. Prospero says Filth as thou art, with human care, and lodged thee in mine own cell, till thou didst seek to violate the honor of my child (Shakespeare 1.2.415-418).Caliban becomes Prosperos servant from this point on. Prosperos stereotype is however, crafted to be broken. The way he changes throughout the play from how he is and becomes this forgiving, almost new person, makes for a very intriguing character. This also puts Prospero into the Round character category. Round characters are complex and develop through their stories, sometimes adequately to shock the readers.Prospero does end up surprising the audience in The Tempest in the last act of the play. Although Prospero remains the identical self-centered, controllin g man throughout the entire play, he changes from an unsympathetic character into a sympathetic one. He makes his servant Ariel to do much of the smelly work for him. He doesnt care about his enemies and puts them through a lot while he sits back and watches. This is seen almost immediately in the beginning of the play as Prospero has Ariel disperse his brother Antonio, the king of Naples Alonso and his son Ferdinand, and everyone else that is on the boat onto different places on the island.Watching them scramble around, he is get pleasure out of their disarray. All these things show Prosperos superiority complex for control. According to the Shmoop webpage, in Prospero, Shakespeare creates a figure who decides to forgive his enemies even though they betray him in the worst possible ways (Shmoop Editorial Team). This is where he changes into a sympathetic character, surprising the audience by forgiving all his betrayers.